Read the Simple Art of Murder Raymond Chandler Pdf
The Simple Art of Murder
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Description:
| Title: | The Simple Art of Murder | ||||||||||
| Author: |
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| Published: | 1950 | ||||||||||
| Publisher: | Houghton Mifflin Company | ||||||||||
| Tags: | fiction, mystery, short stories | ||||||||||
| Description: | This is a collection of early short stories and an essay which gave the book its name. The latter is fairly curt and its master thought is an statement for the virtues of a noir mystery equally opposed to a traditional British one. Considering the fact that this comes from a guy who became a classic of the onetime fifty-fifty before his death and that he picked up some below the average examples of the latter, I agree. The stories themselves left me out common cold for the nearly function. I can actually draw the plot in practically all of them at once. A trouble starts involving a damsel in distress. A tough guy emerges (normally a PI or a good cop) who gets involved, gets knocked out, and shot at. Information technology turns out the damsel in distress is a minor culprit which makes her a femme fatale. Everybody and their brother run across at the primary villain place, a big shootout is insured. Everybody dies except for the tough guy with a heard of golden and the femme fatale who emerge unscratched; the latter escapes. The end. [Suggest a different description.] | ||||||||||
| Downloads: | 10,236 | ||||||||||
| Pages: | 330 |
Writer Bio for Chandler, Raymond
Due to his straitened financial circumstances during the Great Depression, Chandler turned to his latent writing talent to earn a living, teaching himself to write pulp fiction by studying the Perry Bricklayer story formula of Erle Stanley Gardner. Chandler'south first professional piece of work, "Blackmailers Don't Shoot", was published in Black Mask magazine in 1933; his first novel, The Large Slumber, was published in 1939, featuring his famous Philip Marlowe detective grapheme speaking in the first person.
In 1950, Chandler described in a alphabetic character to his English publisher, Hamish Hamilton, why he began reading pulp magazines and later wrote for them:
Wandering upwards and down the Pacific Coast in an auto I began to read pulp magazines, because they were cheap enough to throw away and because I never had at any time any taste for the kind of thing which is known as women'southward magazines. This was in the great days of the Blackness Mask (if I may call them great days) and information technology struck me that some of the writing was pretty forceful and honest, even though it had its crude aspect. I decided that this might be a proficient manner to try to larn to write fiction and get paid a small amount of coin at the same time. I spent v months over an eighteen,000 word novelette and sold it for $180. Subsequently that I never looked back, although I had a adept many uneasy periods looking forrad.
His 2d Marlowe novel, Adieu, My Lovely (1940), became the basis for 3 movie versions adapted by other screenwriters, including 1944's Murder My Sugariness (which marked the screen debut of the Marlowe graphic symbol), starring Dick Powell (whose depiction of Marlowe Chandler reportedly applauded). Literary success and film adaptations led to a demand for Chandler himself as a screenwriter. He and Billy Wilder co-wrote Double Indemnity (1944), based on James G. Cain'south novel of the same name. The noir screenplay was nominated for an Academy Award. Said Wilder, "I would just guide the construction and I would also practice a lot of the dialogue, and he (Chandler) would then comprehend and start constructing too." Wilder e'er acknowledged that the ramped-up dialogue which makes the motion picture so memorable was largely Chandler's.--Wikipedia.
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| PDF (tablet) | 20140930-a5.pdf | ||
| HTML Zilch | 20140930-h.zip |
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